Tickets can be reserved for $5 by emailing email@example.com. They will also be sold during school and in the office. Tickets will also be available at the door for $7. All ticket sales will go to Promise Place.
We will perform Five Kinds of Silence, by Shelagh Stephenson, on October 2, 3 and 4. All proceeds will go to Promise Place, a local agency that works to prevent domestic violence and provides shelter for victims of domestic violence. In addition, a Promise Place staff member will make a presentation after each show. Please join us for a powerful and thought-provoking evening – and help us support the wonderful and necessary work Promise Place does.
Five Kinds of Silence deals with domestic abuse and the lasting effects it can have. This show may be disturbing to younger audience members.
Reasons to Pay Attention to Domestic Abuse:
- One in every four women will experience domestic violence in her lifetime.
- An estimated 1.3 million women are victims of physical assault by an intimate partner each year.
- 30% to 60% of perpetrators of intimate partner violence also abuse children in the household.
- In 2013, 116 Georgia citizens lost their lives due to domestic violence.
- In 2012, 7,750 victims and their children were provided refuge in a Georgia domestic violence shelter.
- Eighty one percent of parents believe teen dating violence is not an issue or admit they don’t know if it’s an issue.
- Nearly 1.5 million high school students nationwide experience physical abuse from a dating partner in a single year.
- One in three adolescents in the U.S. is a victim of physical, sexual, emotional or verbal abuse from a dating partner, a figure that far exceeds rates of other types of youth violence.
- One quarter of high school girls have been victims of physical or sexual abuse.
- One in 10 high school students has been purposefully hit, slapped or physically hurt by a boyfriend or girlfriend.
- Girls and young women between the ages of 16 and 24 experience the highest rate of intimate partner violence — almost triple the national average.
- Eight states currently do not include dating relationships in their definition of domestic violence. As a result, young victims of dating abuse often cannot apply for restraining orders
- Only 33% of teens who were in a violent relationship ever told anyone about the abuse.
Read-through for all cast and crew: Monday, August 18, 4-6pm.
Thank you to everyone who auditioned – this was not an easy decision. I’ll try to have the feedback for everyone on Monday.
Connor: Lawyer 1 and Policeman (interviewing the family)
Cristina: Lawyer 2 and Policewoman (with Janet in the jail)
Alex M: Detective and Psychiatrist 1
Kalynn: Inspector, Psychiatrist 2
I may switch some of the roles depending on how the reading goes. See you on Monday!
I don’t want to drag this out too long. I’m still working on the ensemble and trying to figure out how many people I can cast (and I also need to get a few schedules from people) but I’ve decided on the leads.
Billy: Jordan I
Mary: Kaylee LLLLLLLLLL
Susan: Emily B
Janet: Claire H
I will try to have the ensemble posted by 7pm tomorrow, but I have a lot to think about since there were a lot of great auditions. Thank you to everyone who auditioned!
Why Five Kinds of Silence?
For me, it comes down to the play being about more than just theater. It allows us to address a social problem that isn’t talked about much – certainly at the high school level, but one that we know some students and parents are dealing with. Five Kinds of Silence is a play that can change lives – if nothing else, by some audience members realizing that they are not the only person to deal with the problem.
We will work on making our performances at McIntosh more of an event, with guests speakers and discussions after each show. I hope we can address such topics as how to get out of a bad situation and how people can help those who deal with domestic violence.
After the reading yesterday, I liked Women of Lockerbie more than I ever had before and I know we could do a great job with it. My emotional side wants to go with Lockerbie, but Five Kinds of Silence appeals to the educator in me – it’s too great of a learning opportunity to turn down.
Will be be August 13 and 14, with callbacks (if necessary) on the 15th. We will perform the play for McIntosh on October 2,3 and 4. The date of the competition has not yet been announced.
No, I don’t know what play it will be yet. I will make a decision before the start of school.
You should start working on a 1-2 minute dramatic monologue. I will post more information and tips on auditioning later.
Mom and her new car Amelia. I didn’t ask about the name, but I’m assuming she named it after our wonderful thespian vice president Jordan. If you zoom in enough, you might be able to see the second newest member, Gabby, in the window.
Thank you to everyone for such a great year! We had over 100 individual students and more than 20 parents involved in the three shows and I am so proud of all that they have accomplished. The awards below recognize some of the outstanding moments and contributions of the year. Again, thanks to everyone for all of the hard work and for having such great attitudes!
The Katie MacKeil Award goes to the student that everyone loves to work with – the person with the best attitude, the student who is always positive and friendly, and is happy to be part of the team, no matter how large or small the role. Awarded to Katie MacKeil
Best Choreography Under Pressure and Interference from the Director: Yasmeen Griffin
Best Pronunciation of Obscure Medical Terminology: Nicole Nipper
Most Thoughtful, Perceptive and Empathetic: Katy Laughlin
Best Bedside Manner: Kaylee Lloyd as Nurse Susie in Wit
Most Astonishing, Intelligent, Mature, Thoughtful and Moving Performance: Mikeila McQueston as Vivian
Most Awesome Costume Design: Mikayla DuBreuil for Meat Gone Bad
Most Willing to do Whatever it Takes to Get Things Done: Morgan McNally
Funniest Moment: Sophie Miller for “Leave Roxy alone!” and Trent DeHart for “Pansy.”
Most Moving Moment: Maria McCranie as E.M. reading the Runaway Bunny to Vivian
Best Completely Improvised Soy-Based Character: Kalynn Henderson as Tofu
Outstanding Achievement in Writing: Kenzie Knudson for Georgia Peach
Best On-Stage Fermentation: Emily Bunker as Grape
The Jordan Iacovella Award is for the Best Performance of an Inebriated Character. Awarded to Jordan Iacovella for Cuke
Best Destruction of Props and Set: Jessie McCord as T-Bone
Best Singing While Risking One’s Life Suspended Above the Stage on a Possibly Unsafe Contraption Made from Rope and Spare Parts: Shelby Bock as Velma Kelly
Best Transformation for Lame to Rad – Whoo-Hoo!: Connor Lawhead as Leek
Craziest Theatrical Debut: Josh Andrew Mattingly as Rib Eye
Most Energetic Performance: Gregor Haas as Bacon and Lily Ramos as Drumstick
Best Crying in the Meat Section: Jennifer Chamblee as Pork Chop
Best Crying in the Produce Section: Kyle Hamlin as Onion